M E E T BHAKAR JAMES
Generations of the James family have called the town of Durban in South Africa home. However, for Bhakar James, living there is a distant memory. When he was four, his parents took him and his two sisters, left South Africa and made the journey to South Australia to start a new chapter.
As Head of Business Development and a member of the Executive management team, Jennie Zeiher leads the team responsible for the visual effects studio’s forward slate of high-quality film and series projects.
This month nearly three dozen aspiring visual effects (VFX) artists arrived to study full-time at Rising Sun Pictures (RSP) in Adelaide, South Australia to take part in the studio’s highly-regarded training programs. Some will be students from the University of South Australia (UniSA) who will be undertaking the third year VFX specialisation towards their Media Arts degrees. Others will be enrolled in RSP’s Graduate Certificate program, an intensive, 12-week course offering advanced training
M E E T M A T T S H A W
As a kid growing up in Australia in the 80s, cruising the streets and dirt tracks on your BMX bike was a way of life. Matt Shaw was a true Aussie kid, embedded in this BMX Bandit culture and the great outdoors. He lived for adventure and exploring and spent as much time as he could outside. Hours were spent yabbying in the creek, fishing, going to the beach and snorkelling. He was fascinated with the underwater world, and for many years he wanted to be marine
Rising Sun Pictures (RSP) is proud to have contributed to two out of ten films being considered for the 2020 VFX Oscars. It's all about female power - Alita:Battle Angel and Captain Marvel.
M E E T N I C K P I L L
The epic Star Wars franchise, which became a worldwide pop-culture phenomenon, has inspired many young dreamers. It was Star Wars – A New Hope which set a young South Australian boy onto a path which would see him contribute to some of the biggest movies of all time.
From the back of a 1971 HG Holden station wagon, decked out with mattress and pillows, a 9-year-old Nick Pill watched ‘Star Wars – A New Hope’ on the big screen at the local drive-in. That night, the
M E E T R O B E R T O V E L I O G E N I T O
To be successful you need to be humble. Be hungry. Be the hardest working in the room, says Hollywood superstar Dwayne 'Rock' Johnson. RSP's Roberto is living proof that these are the simplest yet hardest ingredients for success.
Heading back in time, to a suburban house in Adelaide, a young boy created a replica layout of his family home for his primary school project. Impressed by his skills, and great attention to detail, Roberto's
Lewie Carson is a junior compositor at Method in Melbourne, where he has worked on several studio films including Men in Black: International, John Wick: Chapter 3 – Parabellum, Tomb Raider, Christopher Robin, Aquaman and A-X-L. Originally from Melbourne, Lewie completed Rising Sun Pictures’ Graduate Certificate Program in Compositing and Tracking in 2016. At RSP, he learned industry standard practices for roto/paint work and compositing, the same skills he employs on the job today.
M E E T T R O Y T O B I N
Troy hails from one of South Australia's most pristine beachside towns Wallaroo, where beautiful crystal clear aqua water meets the warm white sandy beaches. As a kid growing up in an Australian country town, sport is part of your DNA, and Troy is no exception. He played in the town’s basketball, tennis, golf and football teams, winning awards in several sports. He also played backyard cricket (but he could never get his brothers out, so let's not mention it!).
M E E T VICTOR GLUSHCHENKO
Disney's 1937 'The Clock Cleaners' starring Mickey Mouse, Donald Duck and Goofy inspired a four year old Russian boy to dream big and believe anything was possible.
As a child, Victor Glushchenko sat in the lounge room of his Chelyabinsk home and watched in awe as the Disney's short film flickered and danced across his tv screen. He loved the animation, and for it's time, it had some ground-breaking background design.
It was his infatuation with this 2D short
